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	<title>Ian Barker &#187; Poems</title>
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	<description>Poetry and prose</description>
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		<title>Swans</title>
		<link>http://omahapoet.com/poetry/swans/</link>
		<comments>http://omahapoet.com/poetry/swans/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 15:05:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[Swans on a mirror, ripples of peace, brushed by heart-shaped necks reflected in a swan embrace. They break and slide apart at a matched pace, a slow arc that suggests they glide on glass, until one strikes with sun-shadowing wings &#8230; <a href="http://omahapoet.com/poetry/swans/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Swans on a mirror,<br />
ripples of peace,<br />
brushed by heart-shaped necks reflected in a swan embrace.<br />
They break and slide apart at a matched pace,<br />
a slow arc that suggests they glide on glass,<br />
until one strikes with sun-shadowing wings<br />
that juggle the air into lift and forward motion as they dance,<br />
with a single swan cloud climbing upon the reddening<br />
beams of approaching twilight.</p>
<p>Amongst the rings of bouncing lake<br />
the she-swan is left now set fast,<br />
a subtle flick-flack of tail that hints her mind state.<br />
Smooth-sailing in the setting of the sun<br />
to swathe through the drab ducks who<br />
bristle with mock indisposition,<br />
knowing better than to stray too long into<br />
her meditation.</p>
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		<item>
		<title>Guitar</title>
		<link>http://omahapoet.com/poetry/guitar/</link>
		<comments>http://omahapoet.com/poetry/guitar/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 21:17:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=792</guid>
		<description><![CDATA[I wrote this poem three or four months back.  I&#8217;ve performed it a few times and people seem to like it.  As with nearly all my work it&#8217;s entirely fictional &#8211; I make stuff up (that&#8217;s why it&#8217;s called &#8220;creative &#8230; <a href="http://omahapoet.com/poetry/guitar/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p style="padding-left: 30px;"><em>I wrote this poem three or four months back.  I&#8217;ve performed it a few times and people seem to like it.  As with nearly all my work it&#8217;s entirely fictional &#8211; I make stuff up (that&#8217;s why it&#8217;s called &#8220;creative writing&#8221;).  It always seemed to be that being able to hear for the first time must be a magical experience.  Today I saw a video on YouTube of <a title="Sarah" href="http://sarahchurman.blogspot.com/2011/09/my-ear-in-his-heart.html" target="_blank">Sarah Churman</a> where she has her own implants activated after being born deaf and living that way for 29 years.  It is one of the most moving pieces of video I have seen on YouTube.  Such an ordinary thing: to hear your own voice &#8211; yet so incredibly profound.  It reminds me that sometimes technology is a remarkably good thing.</em></p>
<p><strong>Guitar</strong></p>
<p>She staggered up to me,<br />
finger pointing,<br />
mouth gaping.</p>
<p>Small, growing big,<br />
two feet of life<br />
with years to match.</p>
<p>Gaping and pointing,<br />
with eyes that bounced with her footsteps. A tottering dolly<br />
in mini-sized sneakers.</p>
<p>I strummed on my guitar<br />
and continued to busk, beamed out a benevolent smile and hoped<br />
she&#8217;d drop coins in my case.</p>
<p>&#8220;La&#8221; she bellowed &#8220;la&#8221;<br />
(a poor attempt, I thought but at least she likes it)<br />
I nodded and bridged and patterned-out chords.<br />
&#8220;La!&#8221; (louder)<br />
&#8220;Laaaaaaaaaa&#8221; (screaming)<br />
&#8220;Laaa aaaaaa aaa aaaaaaaaaaaaa&#8221;.</p>
<p>Where was her mother? Appreciation for my<br />
efforts should be accompanied by ritual;<br />
you drop a coin, I duck my head and mime &#8216;thanks&#8217;<br />
when our eyes meet;<br />
&#8220;Laaaaaaaaaa&#8221;;<br />
then you stand for a few seconds whilst<br />
I play a little more earnestly and you smile<br />
like you own the music.<br />
&#8220;Laaaaaaaaaaaaaaaaaaaaa&#8221;</p>
<p>Then her mother came and scooped her up:<br />
a red-coated parcel.</p>
<p>Gently, on her daughter&#8217;s cheeks<br />
she turns the little face towards her and starts to<br />
mouth her words theatrically<br />
&#8220;music, honey, this sound is called music&#8221;.<br />
Then, to me &#8220;I&#8217;m sorry, it&#8217;s all new&#8221;;<br />
&#8220;Laahhhhhhhh&#8221;<br />
she points to the metalwork behind her daughter&#8217;s<br />
ears;<br />
&#8220;implants&#8221;;<br />
(I fret E minor and stroke down on the strings);<br />
&#8220;Laaaa laaa laaa&#8221;;<br />
&#8220;switched on today&#8230;..you&#8217;re her first guitar. I think she likes it&#8221;.</p>
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		<title>Big turtle circle</title>
		<link>http://omahapoet.com/poetry/big-turtle-circle/</link>
		<comments>http://omahapoet.com/poetry/big-turtle-circle/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 13:29:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=788</guid>
		<description><![CDATA[People&#8217;s Facebook statuses sometimes prompt me to write poems very late at night &#8211; is that weird? Big Turtle Circle I am the moon and the stars, the clouds and the Sun. I am the rivers and the lakes and &#8230; <a href="http://omahapoet.com/poetry/big-turtle-circle/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>People&#8217;s Facebook statuses sometimes prompt me to write poems very late at night &#8211; is that weird?</em></p>
<p><strong>Big Turtle Circle</strong><br />
I am the moon and the stars,<br />
the clouds and the Sun.<br />
I am the rivers<br />
and the lakes<br />
and all of the trees.</p>
<p>I am all I was<br />
and all I am<br />
yet I&#8217;ll billow as dust<br />
in the arms of the wind.</p>
<p>I am all of the creatures,<br />
all of these things<br />
but I am nobody too<br />
yet I am all of you.</p>
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		<title>Beneath a sharp sun</title>
		<link>http://omahapoet.com/poetry/beneath-a-sharp-sun/</link>
		<comments>http://omahapoet.com/poetry/beneath-a-sharp-sun/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 18:42:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=771</guid>
		<description><![CDATA[Beneath a sharp sun where the blue cloth of summer next-by is waiting for the cotton clouds of heat-washing gems, the diamond drops which never come there stiffly hobbles a cocoa-man and attendant dog at leash straining not for an &#8230; <a href="http://omahapoet.com/poetry/beneath-a-sharp-sun/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Beneath a sharp sun<br />
where the blue cloth of summer next-by is waiting<br />
for the cotton clouds of heat-washing<br />
gems, the diamond drops which never come<br />
there stiffly hobbles a cocoa-man and attendant dog at leash straining<br />
not for an appointed place requiring timing<br />
nor a needed break<br />
for creature comfort silently pleaded.<br />
No, neither has a given destination or agendas,<br />
(and one needs the other for unclear reasons),<br />
but for the simple pleasure of turns about a park<br />
to scent out smells or wave to others of their kind, or bark;<br />
for it is the urge one has to feel like a dog<br />
and for the other it is to become a little again a human.</p>
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		<title>Contemplation</title>
		<link>http://omahapoet.com/poetry/contemplation/</link>
		<comments>http://omahapoet.com/poetry/contemplation/#comments</comments>
		<pubDate>Sun, 31 Jul 2011 16:10:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=765</guid>
		<description><![CDATA[Let&#8217;s go Alice, let&#8217;s jump into Ron&#8217;s garden filled with the bouquet of silica and sand melted and colored for us roses of flat, imperfect glass in pop art arrangement of the profound tic tac toe of the choices of &#8230; <a href="http://omahapoet.com/poetry/contemplation/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>Let&#8217;s go Alice, let&#8217;s jump into Ron&#8217;s garden filled with the<br />
bouquet of silica and sand melted and colored for us<br />
roses of flat, imperfect glass<br />
in pop art arrangement<br />
of the profound tic tac toe of the choices of life.<br />
An overwhelming smell of green cubes  of jelly glass.</p>
<p>If you stoop, and gaze through, your world is there.<br />
Through the looking glass.  Box upon box, rose upon rose,<br />
lens upon lens&#8230;reality upon reality.</p>
<p>In the top row are the roses of happiness.  Puppies freshly<br />
brought home to chase toilet rolls into shreds of naughtiness.<br />
Champagne bubbles up your nose.  Flowers on Valentine&#8217;s day.<br />
The urgent kisses of a new love on an unfamiliar doorstep.<br />
This is where the rose of unexpected pay rises and ice-creams<br />
that drip down your chin in the summer live.  The smell of a baby&#8217;s head,<br />
the feel of good food on your senses, wine in a warm sunset.</p>
<p>The second row is the row of roses of despair.  Break-ups for<br />
shattered hearts.  Pink slips at Christmas.  Fatalistic diagnoses in<br />
dark corners of a doctor&#8217;s consulting room.  Gums that bleed and turn<br />
out to be something serious after all.  Dogs that die in hot cars.<br />
Last wishes that are a litany of regrets and missed opportunities.<br />
A T-bone at a jumped red traffic light.  A spill on a speeding motorbike.</p>
<p>The third row is the worst row of all.  Row three is the gathering of the roses<br />
of the illusion of choice and the blooms of excuses.  A flower of party party<br />
party or study hard while your mind is young and fertile.  A bud ready for breaking<br />
of fitness and ready horizons where you can step into success with shiny skin<br />
and bright eyes to become….someone.  Someone who looks into their<br />
morning mirror and smiles, who sings in the shower with a voice that<br />
carries a bouncing spirit of vitality, who pats the backs of strangers<br />
with genuine want-you-to-do-well bon viveur .  This is a rose<br />
that takes time to say &#8220;I love you&#8221; and who hugs their dog and because<br />
it knows it is loved it wags its tail back in little flicks and scrunches its muzzle<br />
into a toothy doggy smile.<br />
This is the row from which to pick flowers and place them all in<br />
duckling lines in the row of happiness. </p>
<p>Row three is for you..if you want it, if you choose it, if fate lets you have it…<br />
and that is why it is the worst row of all.</p>
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		<title>Mr Tran</title>
		<link>http://omahapoet.com/poetry/mr-tran/</link>
		<comments>http://omahapoet.com/poetry/mr-tran/#comments</comments>
		<pubDate>Mon, 25 Jul 2011 20:16:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=758</guid>
		<description><![CDATA[Oh Mr Tran stop taunting us with your legs that pose a fine Irish jig, frozen in time. Dainty, dainty, decorously sword-dancing, suspended perilously above a discarded cigarette packet and your cane, Mr Tran, knotted and ridged – weapon of &#8230; <a href="http://omahapoet.com/poetry/mr-tran/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>Oh Mr Tran stop taunting us<br />
with your legs that pose a fine Irish jig, frozen in time.<br />
Dainty, dainty, decorously sword-dancing, suspended perilously<br />
above a discarded cigarette packet<br />
and your cane, Mr Tran, knotted and ridged –<br />
weapon of choice of a time-fighter<br />
leaned ready to strike when the clarion call comes, Mr Tran,<br />
when the call comes for you.<br />
It will come, won’t it?<br />
You perch there, Mr Tran, buried in the sackcloth and folds passion<br />
of a thrift-shop coat triumph of convenience over fashion.<br />
It ill-fits you Mr Tran, can you not see? Does it not BOTHER you?<br />
The first owner had more beef to him Mr Tran, more bulk of good<br />
things eaten too well and he never had to scroll up the cuffs.<br />
But then he never stooped against a knotted cane, Mr Tran,<br />
nor did he peer quite so close at the headlines of yesterday’s hastily<br />
reassembled newspaper which he did not have to hunt<br />
fluttering along the streets<br />
amongst the wrappings of candy-treats, Mr Tran,<br />
he just pitched it into the trash can<br />
ready for the wind to pull it out, sheet by sheet for you.<br />
He has not yet had his careless plans come to&#8230;nought,<br />
or see blue-sky ideas get drowned behind the gathering rainclouds<br />
of the winter of his life, Mr Tran.<br />
I’ll bet he whistles as he showers, not a bad..thought<br />
entering his fully-crowned head on his unbowed, undowned<br />
shoulders. No arthritic back for him Mr Tran.<br />
No uncorrected vision, squinting at what the world<br />
has become.<br />
He wears tailored blue shirts and has a magical phone<br />
which can display the weather in seventeen different languages,<br />
only one of which he can read.<br />
Blue shirts, Mr Tran, neat.<br />
SEVENTEEN DIFFERENT languages, Mr Tran.<br />
He has a future. He is going to BE somebody.<br />
He is going to change the world, Mr Tran.<br />
He is never going to sit with deck-shoes<br />
hanging from Irish jig legs.<br />
He is never going to be a nobody, Mr Tran.<br />
Or is it the other way around?</p>
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		<title>Rider</title>
		<link>http://omahapoet.com/poetry/rider/</link>
		<comments>http://omahapoet.com/poetry/rider/#comments</comments>
		<pubDate>Tue, 31 May 2011 02:22:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[patriotic]]></category>
		<category><![CDATA[peace]]></category>
		<category><![CDATA[political]]></category>
		<category><![CDATA[powerful]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=747</guid>
		<description><![CDATA[I wrote this poem because of this: http://en.wikipedia.org/wiki/Freedom_riders and this: http://en.wikipedia.org/wiki/James_Zwergs but mainly this: http://en.wikipedia.org/wiki/File:Jimzwerg.jpg Rider Rider comes in. STRIDES in. Not a swagger. Not a shoulders back front out puff up bowl down the bus. A grit of teeth, &#8230; <a href="http://omahapoet.com/poetry/rider/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I wrote this poem because of this: <a href="http://en.wikipedia.org/wiki/Freedom_riders" target="_blank">http://en.wikipedia.org/wiki/Freedom_riders</a><br />
and this: <a href="http://en.wikipedia.org/wiki/James_Zwerg" target="_blank">http://en.wikipedia.org/wiki/James_Zwergs</a><br />
but mainly this: <a href="http://en.wikipedia.org/wiki/File:Jimzwerg.jpg" target="_blank">http://en.wikipedia.org/wiki/File:Jimzwerg.jpg</a></p>
<p><strong>Rider</strong><br />
Rider comes in.<br />
STRIDES in.<br />
Not a swagger.<br />
Not a shoulders back front out puff up bowl down the bus.<br />
A grit of teeth, sure,<br />
a won&#8217;t blink look right ahead.<br />
Down the bus.<br />
Down the middle of the wrong bus boy.<br />
The wrong color bus.</p>
<p>And he settles in a seat and grips the bar in front a little too tight.<br />
Riding.<br />
In his neat suit.<br />
A proper suit.<br />
With neat hair,<br />
a little blond flick<br />
at the regulation length.<br />
And at some stage he says he&#8217;ll get off first when the bus stops.<br />
And at some stage he wins the half-hearted argument.</p>
<p>So when the bus pulls up,<br />
he&#8217;s there,<br />
at the door,<br />
and steps into the<br />
swing of a hate-swung baseball bat,<br />
and a motorcycle chain&#8230;<br />
and a metal bar&#8230;<br />
and a painful dinosaur bone of a table leg<br />
which is studded with nails<br />
that rip into wrong color skin<br />
that steps off the wrong color bus.</p>
<p>As it swoops<br />
to mix spittle with blood<br />
they whoop<br />
&#8220;betrayed your own kind boy&#8221;<br />
even though he can only grunt yelps like a kicked puppy in return.</p>
<p>But they don&#8217;t see the legendary camera flashes.</p>
<p>They don&#8217;t see that sodium white<br />
bouncing boy&#8217;s jelly-blood dripping face into history:<br />
the day the buzz-cut white boy<br />
rode the colored bus.</p>
<p>He said &#8220;<em>I just prayed I&#8217;d survive</em>&#8220;.<br />
&#8220;<em>But why did you do it?</em>&#8221;<br />
&#8220;<em>Because&#8230;because it was the right thing to do</em>&#8220;.</p>
<p>Sometimes when you ride the bus<br />
you don&#8217;t ride it for you&#8230;<br />
you ride it for freedom.</p>
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		<title>The first layer is size</title>
		<link>http://omahapoet.com/poetry/the-first-layer-is-size/</link>
		<comments>http://omahapoet.com/poetry/the-first-layer-is-size/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 13:58:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[inspirational]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[profound]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=741</guid>
		<description><![CDATA[The first layer is size. It seals the medium ready for the magic. Then comes a sketched outline. Shapes, tentative at first; A false start or two or more. An expression that doesn&#8217;t Quite emerge right from scurrying lines is &#8230; <a href="http://omahapoet.com/poetry/the-first-layer-is-size/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The first layer is size. It seals the medium ready for the magic.<br />
Then comes a sketched outline. Shapes, tentative at first;<br />
A false start or two or more. An expression that doesn&#8217;t<br />
Quite emerge right from scurrying lines is smudged back and<br />
Pulled again from the canvas by spidery lines and swirls.<br />
This is the second layer, everything is built on this.<br />
How you sketch this layer is vital. Skimp on the effort<br />
And it doesn&#8217;t matter how hard you work on the<br />
Later layers, they&#8217;ll always be lacking. Something<br />
Will bother you when you see those sort of pictures<br />
Hanging around in shops and factory staff rooms. A gut<br />
Instinct that the basic sketch was not done right.<br />
But a picture on which loving time has been spent,<br />
Where the painter took the canvas and drew and<br />
Redrew coaxing the strokes to represent what they<br />
Were meant to be, well that&#8217;s plainly beautiful to see.<br />
Artists; go home to your canvases and rescue them<br />
From doleful neglect in tobacco-stained houses<br />
Where they will languish splashed by a momentary<br />
Escape of alcohol and the stickiness of cocktails<br />
On a happy hour Friday or lie in sodden resignation under<br />
Cardboard in a Detroit gutter surrounded by<br />
The broken window glass of disappearing<br />
Factory routine twelve hour grind and time<br />
And a quarter Saturdays. A good outline, as<br />
A framework, helps make your creations<br />
Hang on the right walls and be seen in the<br />
Company of work by successful artists.<br />
Bad things still mishap a well-executed sketch<br />
But a good strong starting layer is the rock<br />
From which the potential can rise.<br />
Artists; go home to your canvases and<br />
Pour your love, experience and skill in to<br />
The lines of the first sketchy layer.</p>
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		<title>April</title>
		<link>http://omahapoet.com/poetry/april/</link>
		<comments>http://omahapoet.com/poetry/april/#comments</comments>
		<pubDate>Fri, 25 Mar 2011 15:24:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[assonance]]></category>
		<category><![CDATA[complicated syntax]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[spiritual]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=739</guid>
		<description><![CDATA[This is a poem written for those who study the mechanics of poetry as an art looking for signs of rhyming, of assonance, alliteration, onomatopoeia, homophones and anaphora &#8211; this poem has all of these&#8230;and more. Hint of flake and &#8230; <a href="http://omahapoet.com/poetry/april/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><em>This is a poem written for those who study the mechanics of poetry as an art looking for signs of rhyming, of <a href="http://en.wikipedia.org/wiki/Assonance" target="_blank">assonance</a>, <a href="http://en.wikipedia.org/wiki/Alliteration" target="_blank">alliteration</a>, <a href="http://en.wikipedia.org/wiki/Onomatopoeia" target="_blank">onomatopoeia</a>, <a href="http://en.wikipedia.org/wiki/Homophone" target="_blank">homophones</a> and <a href="http://en.wikipedia.org/wiki/Anaphora" target="_blank">anaphora</a> &#8211; this poem has all of these&#8230;and more.</em><br />
<BR /><br />
Hint of flake<br />
and here<br />
and here<br />
from high: a squadron of<br />
Canadian angels who<br />
in formation we hear<br />
honk honk honk herald the<br />
coming of the thing<br />
and beat the flakes from the gray<br />
with wing<br />
and bounce on unseen drafty sky.</p>
<p>And through the cold coat of<br />
Winter wear, a greener bud<br />
begins on branch that dares<br />
to hope for warmth and better light.<br />
Here, here and here<br />
there lifts a brave blade of<br />
grass, defies threats of frost<br />
and skies overcast by monochrome bright<br />
Sun shaded from sight.</p>
<p>Then tumbles flake into warm drip<br />
of life and wakens and washes<br />
the dust from daffodil eyes<br />
who poke a cautious tip through<br />
earthy blankets<br />
first one there, then there, now<br />
here and here and here and here.</p>
<p>And then a yellow strikes upon the<br />
V of beating wings, and kisses<br />
the sleeping bark awake on trees<br />
who unwrap their groggy arms<br />
and stretch towards the rays<br />
with greening finger leaves<br />
and catkins and stickybuds<br />
and squirrels who agitate<br />
and chatter<br />
and bees who sing a welcome again<br />
to tulips who rush to the surface<br />
to greet them<br />
and rabbits and foxes who chase<br />
and soon we two join too like lost peoples<br />
returned from long dark adventures, emerged,<br />
to add to the business bustlings of<br />
Spring.</p>
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		<title>On a hotel room</title>
		<link>http://omahapoet.com/poetry/on-a-hotel-room/</link>
		<comments>http://omahapoet.com/poetry/on-a-hotel-room/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 15:46:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[alliteration]]></category>
		<category><![CDATA[assonance]]></category>
		<category><![CDATA[cautionary]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=733</guid>
		<description><![CDATA[Just a quick reminder to those who are unsure or, on reading this believe I write from experience: my poetry comes from imagined fiction &#8211; I make stuff up &#8211; I am not planning on buying a motorbike or having &#8230; <a href="http://omahapoet.com/poetry/on-a-hotel-room/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<blockquote><p><em>Just a quick reminder to those who are unsure or, on<br />
reading this believe I write from experience: my poetry<br />
comes from imagined fiction &#8211; I make stuff up &#8211; I am<br />
not planning on buying a motorbike or having fights with<br />
my wife (although I am surely ripe for a mid-life crisis)</em></p></blockquote>
<p><strong>On a hotel room</strong><br />
An unsteady squint strains at these reeking walls,<br />
Tar-stained from the puffing of road-warrior nightjars<br />
Who drank deep on drams of their superior&#8217;s wishes<br />
And tormented their second-best wives<br />
With lies that they both sensed the taste of<br />
On tongues which waggled a tarantella dance around<br />
The sharp bull horns of cheating, his bright fighter&#8217;s<br />
Cape of platitudes furling around him as her doubts, fears<br />
Of betrayal stamped the ground and snorted a steamy<br />
Spittle that shook the doors of their marriage.</p>
<p>Another night death-gripping the bedcovers with her<br />
Suspicions. Another knocking his rocks against<br />
Bell-ringing glass and sucking the brown burn<br />
Of bitterness drowning as it washed resentment<br />
From teeth electrified by edge against edge grinding.<br />
He has no reserve of desire to drag<br />
Doing The Right Thing along with him. There are<br />
True selves to find in motorbike trips and<br />
Many destinies thwarted by coming home on<br />
Time and painting the bedroom walls white.</p>
<p>He claims, by example, better use for tomorrow can be made by<br />
Hung-over vikings who arrive red-eyed amongst<br />
The enslaved and clocked and desk-bound.<br />
His warrior clothes strewn with a confetti of<br />
A fixed agenda torn to shreds stuck on<br />
With cock-sure machismo spirit. The gaunt evidence<br />
Written for posterity across the deepening creases<br />
Of his buffalo-tongue face betrays the wear and<br />
Fraying as his identity and purpose bounce away from him<br />
Into the tragic pile of Things He Could Have Done.</p>
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