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<channel>
	<title>Ian Barker &#187; profound</title>
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	<description>Poetry and prose</description>
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		<title>The first layer is size</title>
		<link>http://omahapoet.com/poetry/the-first-layer-is-size/</link>
		<comments>http://omahapoet.com/poetry/the-first-layer-is-size/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 13:58:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[inspirational]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[profound]]></category>

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		<description><![CDATA[The first layer is size. It seals the medium ready for the magic. Then comes a sketched outline. Shapes, tentative at first; A false start or two or more. An expression that doesn&#8217;t Quite emerge right from scurrying lines is &#8230; <a href="http://omahapoet.com/poetry/the-first-layer-is-size/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The first layer is size. It seals the medium ready for the magic.<br />
Then comes a sketched outline. Shapes, tentative at first;<br />
A false start or two or more. An expression that doesn&#8217;t<br />
Quite emerge right from scurrying lines is smudged back and<br />
Pulled again from the canvas by spidery lines and swirls.<br />
This is the second layer, everything is built on this.<br />
How you sketch this layer is vital. Skimp on the effort<br />
And it doesn&#8217;t matter how hard you work on the<br />
Later layers, they&#8217;ll always be lacking. Something<br />
Will bother you when you see those sort of pictures<br />
Hanging around in shops and factory staff rooms. A gut<br />
Instinct that the basic sketch was not done right.<br />
But a picture on which loving time has been spent,<br />
Where the painter took the canvas and drew and<br />
Redrew coaxing the strokes to represent what they<br />
Were meant to be, well that&#8217;s plainly beautiful to see.<br />
Artists; go home to your canvases and rescue them<br />
From doleful neglect in tobacco-stained houses<br />
Where they will languish splashed by a momentary<br />
Escape of alcohol and the stickiness of cocktails<br />
On a happy hour Friday or lie in sodden resignation under<br />
Cardboard in a Detroit gutter surrounded by<br />
The broken window glass of disappearing<br />
Factory routine twelve hour grind and time<br />
And a quarter Saturdays. A good outline, as<br />
A framework, helps make your creations<br />
Hang on the right walls and be seen in the<br />
Company of work by successful artists.<br />
Bad things still mishap a well-executed sketch<br />
But a good strong starting layer is the rock<br />
From which the potential can rise.<br />
Artists; go home to your canvases and<br />
Pour your love, experience and skill in to<br />
The lines of the first sketchy layer.</p>
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		<title>On a hotel room</title>
		<link>http://omahapoet.com/poetry/on-a-hotel-room/</link>
		<comments>http://omahapoet.com/poetry/on-a-hotel-room/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 15:46:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[alliteration]]></category>
		<category><![CDATA[assonance]]></category>
		<category><![CDATA[cautionary]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[inventive]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>
		<category><![CDATA[sad]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=733</guid>
		<description><![CDATA[Just a quick reminder to those who are unsure or, on reading this believe I write from experience: my poetry comes from imagined fiction &#8211; I make stuff up &#8211; I am not planning on buying a motorbike or having &#8230; <a href="http://omahapoet.com/poetry/on-a-hotel-room/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<blockquote><p><em>Just a quick reminder to those who are unsure or, on<br />
reading this believe I write from experience: my poetry<br />
comes from imagined fiction &#8211; I make stuff up &#8211; I am<br />
not planning on buying a motorbike or having fights with<br />
my wife (although I am surely ripe for a mid-life crisis)</em></p></blockquote>
<p><strong>On a hotel room</strong><br />
An unsteady squint strains at these reeking walls,<br />
Tar-stained from the puffing of road-warrior nightjars<br />
Who drank deep on drams of their superior&#8217;s wishes<br />
And tormented their second-best wives<br />
With lies that they both sensed the taste of<br />
On tongues which waggled a tarantella dance around<br />
The sharp bull horns of cheating, his bright fighter&#8217;s<br />
Cape of platitudes furling around him as her doubts, fears<br />
Of betrayal stamped the ground and snorted a steamy<br />
Spittle that shook the doors of their marriage.</p>
<p>Another night death-gripping the bedcovers with her<br />
Suspicions. Another knocking his rocks against<br />
Bell-ringing glass and sucking the brown burn<br />
Of bitterness drowning as it washed resentment<br />
From teeth electrified by edge against edge grinding.<br />
He has no reserve of desire to drag<br />
Doing The Right Thing along with him. There are<br />
True selves to find in motorbike trips and<br />
Many destinies thwarted by coming home on<br />
Time and painting the bedroom walls white.</p>
<p>He claims, by example, better use for tomorrow can be made by<br />
Hung-over vikings who arrive red-eyed amongst<br />
The enslaved and clocked and desk-bound.<br />
His warrior clothes strewn with a confetti of<br />
A fixed agenda torn to shreds stuck on<br />
With cock-sure machismo spirit. The gaunt evidence<br />
Written for posterity across the deepening creases<br />
Of his buffalo-tongue face betrays the wear and<br />
Fraying as his identity and purpose bounce away from him<br />
Into the tragic pile of Things He Could Have Done.</p>
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		<item>
		<title>Five guys</title>
		<link>http://omahapoet.com/poetry/five-guys/</link>
		<comments>http://omahapoet.com/poetry/five-guys/#comments</comments>
		<pubDate>Thu, 17 Mar 2011 18:58:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[lyrical]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>

		<guid isPermaLink="false">http://omahapoet.com/?p=731</guid>
		<description><![CDATA[Five guys rollin&#8217; in a motor burn up road like it don&#8217;t last. Big bass rockin&#8217; on the radio I hitting the wheel to fake a drum thump. Sunshine burnin&#8217; through the window toppin&#8217; up tans to staccato crunk. We &#8230; <a href="http://omahapoet.com/poetry/five-guys/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Five guys rollin&#8217; in a motor<br />
burn up road like it don&#8217;t last.<br />
Big bass rockin&#8217; on the radio<br />
I hitting the wheel to fake a drum thump.<br />
Sunshine burnin&#8217; through the window<br />
toppin&#8217; up tans to staccato crunk.</p>
<p>We all starin&#8217; at the fender we followin&#8217;<br />
lip bit focus from the fella who drives.<br />
Davey &#8216;im a snooze and he sweatin&#8217; up a storm<br />
the others shift position like they on hot rocks.</p>
<p>Five guys packed in and all packin&#8217;,<br />
colors on our backs, full-on inked and all that.<br />
Five guys settin&#8217; on a mission<br />
teach a guy a lesson he&#8217;s really gonna get.<br />
Five guys flexing up their muscles;<br />
tonight: click-click bang-bang respect.</p>
<p>So we reach a shady corner<br />
and see &#8216;im slouchin&#8217; like a drunk.<br />
Waistbands ripple as we pull our metal out<br />
flashes of munitions and pop pop pop;<br />
sloucher hits the deck and his baby-momma drops.<br />
There&#8217;s a screamin&#8217; and a wailing&#8217; as we screech away fast<br />
this lesson is a lesson that&#8217;s really gonna last.</p>
<p>We whoopin&#8217; and a yellin&#8217; coz we done our bit o biznizz,<br />
9 mil teachers smokin&#8217; up the car.<br />
We&#8217;re slappin&#8217; and fist bumpin&#8217; and biggin&#8217; up ourselves<br />
whilst the driver stamps the pedal and he turn his knuckles white.</p>
<p>Five guys start the path to penitentiary<br />
where the tats are tears in the corners of your eyes<br />
but five guys only got one focus<br />
coz five guys happy with their retribution night.</p>
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		<item>
		<title>So this is what we&#8217;ve become</title>
		<link>http://omahapoet.com/poetry/so-this-is-what-weve-become/</link>
		<comments>http://omahapoet.com/poetry/so-this-is-what-weve-become/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 13:06:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[cautionary]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[free verse]]></category>
		<category><![CDATA[powerful]]></category>
		<category><![CDATA[profound]]></category>

		<guid isPermaLink="false">http://alexsykie.com/?p=630</guid>
		<description><![CDATA[So this is what we’ve become. Mission after failed mission of overtightened shirt cloth incomparable to the air-brushing wizardry of a celebrity book of spells; calorie-counted celebrity inspiration, feeling the burn; “one more minute, don’t forget to stretch and warm &#8230; <a href="http://omahapoet.com/poetry/so-this-is-what-weve-become/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>So this is what we’ve become.</p>
<p>Mission after failed mission of overtightened shirt cloth incomparable to the air-brushing wizardry of a celebrity book of spells; calorie-counted celebrity inspiration, feeling the burn; “one more minute, don’t forget to stretch and warm down”.</p>
<p>A plastic-propped peep into a better life where everyone is shiny and the right machine can make you God’s own barista without even having to watch the accompanying DVD box set.</p>
<p>All on the never never.  ’til the never becomes the now.</p>
<p>In a surge of nature versus big business our crude seas wash over us in an endless tide of promises and slicked birds who drown in the failures of our present way of life.</p>
<p>In the background; an urgent pitch to call now and pay nothing for twelve months.  A lesson unlearned.</p>
<p>In the foreground; stands a poet working out the best way to perform the Heimlich maneuver on a dog whilst he waits for his toast to turn tan.</p>
<p>So this is what we’ve become.</p>
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		<title>Turtle beach</title>
		<link>http://omahapoet.com/poetry/turtle-beach/</link>
		<comments>http://omahapoet.com/poetry/turtle-beach/#comments</comments>
		<pubDate>Wed, 12 May 2010 17:57:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=620</guid>
		<description><![CDATA[Remember that day, on Turtle Beach, living fossils that scourged the sand; (powder crystals, white like they&#8217;re bleached) with lumpen claws which, in a slow and careless wave managed to brush aside Darwin&#8217;s great plans. Beaks shoved forward, scaly necks &#8230; <a href="http://omahapoet.com/poetry/turtle-beach/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Remember that day, on Turtle Beach,<br />
living fossils that scourged the sand;<br />
(powder crystals, white like they&#8217;re bleached)<br />
with lumpen claws which, in a slow and careless<br />
wave managed to brush aside<br />
Darwin&#8217;s great plans.</p>
<p>Beaks shoved forward, scaly necks stretched,<br />
with mouths gaping, snouts snapping with an echoing snip from<br />
the effort of land crawling just to lay their eggs with<br />
eye-scrunching strain in hopeful clutches.</p>
<p>We stood and marveled with our cameras,<br />
all red eye flashes and whooping fingers,<br />
whilst the tide dragged at the night-time shore<br />
trying to peel away stragglers from the pack of<br />
unwary voyeuristic foreigners.</p>
<p>The musical swish of the wind-rattled palm trees,<br />
made the bobbing fishing boats dance, painted in the yellow<br />
ochre of candle lanterns that perched<br />
like watchmen on the bows where it brushed just<br />
enough of their pilots to make them appear like ghosts<br />
dipping into the blackness as they<br />
flicked out their nets<br />
or dragged wicker pots from the stern.</p>
<p>A world away from this evening; the toes that<br />
joyed at the sucking of sand dampened by the<br />
warm foam of a receding sea curl now into the<br />
unfriendly nylon pile of evening news and TV dramas,<br />
readying for sleep before the chill of<br />
tomorrow&#8217;s commute and office politics of<br />
the punch in punch out, don&#8217;t-be-late<br />
warning-mornings and the school runs<br />
amongst the young mums parking heedlessly.</p>
<p>Funny how we&#8217;re all just turtles on turtle beach.</p>
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		<title>Run the other way</title>
		<link>http://omahapoet.com/poetry/run-the-other-way/</link>
		<comments>http://omahapoet.com/poetry/run-the-other-way/#comments</comments>
		<pubDate>Wed, 28 Apr 2010 18:46:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[For a special kind of people&#8230; To the sound of screaming, turns the eyes and the ears of the ordinary agape in horror at the desperation of a jumper as he splashes through the glass fixing a final flickering gaze &#8230; <a href="http://omahapoet.com/poetry/run-the-other-way/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nytimes.com/2001/09/12/nyregion/12RESC.html" target="_blank"><i>For a special kind of people&#8230;</i></a></p>
<p>To the sound of screaming,<br />
turns the eyes and the ears of the ordinary<br />
agape in horror at the desperation of a jumper<br />
as he splashes through the glass<br />
fixing a final flickering gaze on tear-welling faces who,<br />
with tightened lips let pass a whimper &#8220;oh no, oh no oh no&#8221;.<br />
The rain of rock crashes chase away trivial reality,<br />
the lattes, the must-do meetings,<br />
the synchronization of calendars<br />
in a kerosene flash; thanks to religious brutality.<br />
There, urgent amongst the<br />
surging clouds are those in<br />
black turned gray.  Gold-hatted<br />
knights who shout for your own good.<br />
Scared like the brokers,<br />
fathers like the chairmen,<br />
rushing like the insurers<br />
but they choose to run the other way.</p>
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		<title>Rubble</title>
		<link>http://omahapoet.com/poetry/rubble/</link>
		<comments>http://omahapoet.com/poetry/rubble/#comments</comments>
		<pubDate>Wed, 28 Apr 2010 18:38:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
		<category><![CDATA[emotional]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=614</guid>
		<description><![CDATA[When the roar stops, you look around you to check. The glass is gone yet the view&#8217;s still there. You reach for familiar legs and arms and hope to God they dodged the drop with skyward gasps of thanks when &#8230; <a href="http://omahapoet.com/poetry/rubble/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>When the roar stops, you look around you to check.<br />
The glass is gone yet the view&#8217;s still there.<br />
You reach for familiar legs and arms<br />
and hope to God they dodged the drop<br />
with skyward gasps of thanks when you find they have.<br />
Your leaping heart thumps hard and fast<br />
throws up grateful tears now the danger&#8217;s passed.<br />
You touch the skin of all that matters<br />
and glance at how your substance is shattered<br />
but the meaning made it through.</p>
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		<title>I often pause to think of others</title>
		<link>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/</link>
		<comments>http://omahapoet.com/poetry/i-often-pause-to-think-of-others/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:33:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=598</guid>
		<description><![CDATA[Click this text to hear Alex read this poem I often pause to think of others. Like the couple on Beak Street I saw leaning in against the March wind, pinching still-fitting 1970&#8242;s smeary gabardine mackintoshes around them like over-stuffed &#8230; <a href="http://omahapoet.com/poetry/i-often-pause-to-think-of-others/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://alexsykie.com/Ioftenpausetothinkofothers.mp3">Click this text to hear Alex read this poem</a></p>
<p>I often pause to think of others.<br />
Like the couple on Beak Street I saw leaning<br />
in against the March wind, pinching<br />
still-fitting 1970&#8242;s smeary gabardine<br />
mackintoshes around them like over-stuffed<br />
sausage casings.</p>
<p>He; gaunt and with that sunken on-the-way<br />
from this life look, she; rotund and<br />
waddling with cheap home perm flattened<br />
under a clear plastic penny market rain<br />
hood whilst her free hand drags a<br />
shopping trolley between them both like<br />
an unruly and unwilling square tartan-coated pet.</p>
<p>She chose to wear those opaque tan tights<br />
and they are so cliche, aren&#8217;t they,<br />
with her seen-better-days blue brogue comfortable shoes<br />
which shuffle shuffle and scuff along<br />
next to the groceries and the gray nearly-ghost.</p>
<p>He looks like a man who has resolved to<br />
hang on a day longer if he can, for her<br />
sake, or for someone&#8217;s sake if not hers.<br />
I&#8217;m sure it&#8217;s not for his.</p>
<p>His gaping-mouthed breath, like it<br />
must sound loud enough to startle although<br />
the bus window and the rattle of empty seats<br />
mask it from me, sucks his cheeks in and out<br />
with the effort and I see his eyes scrunch<br />
up unseen as he keeps up her pace which he taps<br />
out with a walking stick, stomp, stomp,<br />
stomp like he is grinding out cigarette butts<br />
with every step.</p>
<p>To where and why do they walk so painfully<br />
in this bouncing rain?  What are their<br />
names?  Is this yesterday&#8217;s sour wine of<br />
relationships I see through the dragon puff<br />
of diesel exhaust or a glorious culmination?<br />
Or perhaps mainly their reality, unpoetic and<br />
unremarkable except to someone like me who<br />
often pauses to think of others.</p>
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		<title>Smoke</title>
		<link>http://omahapoet.com/poetry/smoke/</link>
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		<pubDate>Mon, 04 Jan 2010 16:05:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=579</guid>
		<description><![CDATA[Sadhu Ronnie gapes and tokes, orange-robed with nut-brown eyes. Tilika vermillion riding his brow. Particles of swhirl; white ashey smoke, rest, hanging, untouching the upturned hand, pulsing to the ebb and flow breath; not controlled, not free of will. Liquid &#8230; <a href="http://omahapoet.com/poetry/smoke/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Sadhu Ronnie gapes and tokes, orange-robed with nut-brown<br />
eyes.  Tilika vermillion riding his brow. Particles of swhirl;<br />
white ashey smoke, rest, hanging, untouching the upturned hand,<br />
pulsing to the ebb and flow breath; not controlled, not free of will.  </p>
<p>Liquid solid flows with the puff, ochre stripes washed<br />
grey with the powdering of divinity.  The lines of his thoughts<br />
across his brow, deep and drifting, running over to wash the beckoning<br />
fingers of smoke&#8217;s fate, launching to drift on torrid<br />
currents of time and fickle happenings, thrown back and<br />
forth further and far from the loud &#8220;haaaaa&#8221; of the exhale.</p>
<p>Their prose and statuary, towering in their microscopic<br />
magnificance amongst the whisps of their fleeting existence<br />
unseen by those who did not look for them, breathed in to<br />
be a part of those who did not make them; even those who<br />
did not pause to question or care if they were likely to exist.</p>
<p>If, at that moment He should clap his hands or<br />
spin to attend to some other diversion they might<br />
scatter in the draught.  It&#8217;s a fact; you can&#8217;t unscatter<br />
smoke.</p>
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		<title>What do I say to Kirk?</title>
		<link>http://omahapoet.com/poetry/what-do-i-say-to-kirk/</link>
		<comments>http://omahapoet.com/poetry/what-do-i-say-to-kirk/#comments</comments>
		<pubDate>Tue, 17 Nov 2009 15:45:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>
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		<guid isPermaLink="false">http://alexsykie.com/?p=549</guid>
		<description><![CDATA[What do I say to Kirk? I don&#8217;t know what to say to Kirk. Kirk&#8217;s the problem. You can explain at length to the sad and the shocked, but shaggy portly golden dogs have no use for the science of &#8230; <a href="http://omahapoet.com/poetry/what-do-i-say-to-kirk/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img src="http://alexsykie.com/wp-content/uploads/2009/11/S7300157.JPG" alt="Kirk" title="Kirk" width="380" height="219" class="alignnone size-full wp-image-550" /><br />
<br />
<strong>What do I say to Kirk?</strong><br />
<br />
I don&#8217;t know what to say to Kirk.<br />
Kirk&#8217;s the problem.  You can explain<br />
at length to the sad and the shocked,<br />
but shaggy portly golden dogs have no<br />
use for the science of mutation and bad luck.<br />
If it doesn&#8217;t bounce, flap or smell like<br />
food then Kirk just doesn&#8217;t get it.</p>
<p>He&#8217;s got that blankie still.  Rotted with the<br />
drool of comfort years and glazed with some<br />
real sweaty summers.  Snuggles it close as ever.<br />
An anchor in the squally seas of change.<br />
Creaks those cranky joints together with<br />
a huge Kirky-boy sigh and thumps himself<br />
into the cloth with squeezed-together eyes.<br />
I swear he used to smile.</p>
<p>Now he just rumbles on that blankie, day and night<br />
with those wobbly-paw half-yelps of him<br />
chasing down sleep sheep or some night rabbits.<br />
Or he just guards at that bottom window and sighs<br />
through his nose at the disappointments.  Waiting.<br />
Early days he&#8217;d point the flop from his ears,<br />
whiskers shivering, and bob his head like Ali if he heard<br />
a car coming  up the road.  It&#8217;s knocked the shine out of<br />
his eyes, all that fruitless checking and weaving.</p>
<p>Now all Kirk&#8217;s got left is the stare-and-stare, glassy eyed,<br />
into the distance.  Not a flicker except a blink to wet those<br />
big brown pleading pools.  But he hasn&#8217;t given up even though I&#8217;ve<br />
explained it all to him until we&#8217;ve both had enough and<br />
wack down by your couch. I&#8217;ve written to everyone else<br />
and told them, cancelled things, notified, crossed the T&#8217;s,<br />
but, I just don&#8217;t know what to say to Kirk.<br />
Kirk&#8217;s the problem.</p>
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